{"id":21281,"date":"2023-07-03T06:06:08","date_gmt":"2023-07-03T04:06:08","guid":{"rendered":"https:\/\/www.alleyways.de\/abgeschminkt\/?p=21281"},"modified":"2023-06-28T23:52:59","modified_gmt":"2023-06-28T21:52:59","slug":"a-poster-to-remember","status":"publish","type":"post","link":"https:\/\/www.alleyways.de\/abgeschminkt\/2023\/a-poster-to-remember\/","title":{"rendered":"a POSTER to remember"},"content":{"rendered":"

Konzept und Design des Poster f\u00fcr die Oscar-Gala 2007, demnach der 79th Academy Awards, entwarfen TBWA\\Chiat\\Day in Los Angeles. Neben der sehr wohl bekannten Statue, zieren 75 relevante Filmzitate das Motiv. Aus der bis dahin 78-j\u00e4hrigen Geschichte der Academy, wurde aus fast jedem Jahr ein markanter Spruch oder eing\u00e4ngiges Wort \"Courtesy<\/a>eines einflussreichen Films gefunden. Einer schaffte es sogar zweimal auf das Poster. Und nein, es war nicht DER PATE.<\/span><\/p>\n

Ganz im erkl\u00e4rten Sinne der Academy of Motion Picture Arts and Sciences, die Kraft und Kunst im Film zu ehren, war es die Idee, nicht unbedingt den jeweiligen \u201aBest Picture\u2018-Gewinner zu zitieren. Viel mehr war es eine M\u00f6glichkeit, durch den Wiedererkennungseffekt dem Publikum ihre kulturelle und gesellschaftliche Verbundenheit zum Film in Erinnerung zu rufen.<\/span><\/p>\n

Wer bis zur Statue hinunter scrolled, sieht die Liste inklusive des Filmtitels und der Jahreszahl. Bis dahin: Beim Raten viel Spa\u00df, der dann nach dem Klick beginnt…<\/span><\/p>\n

<\/p>\n

\u201cCan\u2019t you see I have you Chump? Get me some sviskey!\u201d<\/span>
\n\u201cSometimes you\u2019re so beautiful it just gags me\u201d<\/span>
\n\u201cFrankly, my dear, I don\u2019t give a damn!\u201d<\/span>
\n\u201cI\u2019ll get you, my pretty, and your little dog, too!\u201d<\/span>
\n\u201cI\u2019m asking you to marry me, you little fool\u201d<\/span>
\n\u201cRosebud\u201d<\/span>
\n\u201cHere\u2019s looking at you, kid\u201d<\/span>
\n\u201cNo, a golf course is nothing but a pool room moved outdoors\u201d<\/span>
\n\u201cOne\u2019s too many an\u2019a hundred\u2019s not enough!\u201d<\/span>
\n\u201cI\u2019ve seen nothing. I should have stayed at home and found out what was really going on\u201d<\/span>
\n\u201cYou don\u2019t want much. You just want the moon. \u2026with parsley!\u201d<\/span>
\n\u201cFrailty, thy name is woman!\u201d<\/span>
\n\u201cYou throw money around like it was money\u201d<\/span>
\n\u201cAll right, Mr. DeMille, I\u2019m ready for my closeup\u201d<\/span>
\n\u201cSTELLA!\u201d<\/span>
\n\u201cWell, what am I? I\u2019m a private no-class dogface. The way most civilians look at that, that\u2019s two steps up from nothin’\u201d<\/span>
\n\u201cI coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am\u201d<\/span>
\n\u201cAn Englishman never jokes about a wager, sir\u201d<\/span>
\n\u201cAll work and no play make Jack a dull boy\u201d<\/span>
\n\u201cSuch stupidity is without equal in the entire history of human relations\u201d<\/span>
\n\u201cYou can break a man\u2019s skull. You can arrest him. You can throw him into a dungeon. But how do you control what\u2019s up here? How do you fight an idea?\u201d<\/span>
\n\u201cWhen you\u2019re in love with a married man, you shouldn\u2019t wear mascara\u201d<\/span>
\n\u201cCome in, come in! We won\u2019t bite you\u2013till we know you better\u201d<\/span>
\n\u201cNo prisoners! No prisoners!\u201d<\/span>
\n\u201cIt is widely held that too much wine will dull a man\u2019s desire. Indeed it will, in a dull man\u201d<\/span>
\n\u201cGentlemen, you can\u2019t fight in here. This is the War Room\u201d<\/span>
\n\u201cThe Von Trapp children don\u2019t play. They march\u201d<\/span>
\n\u201cHope that was an empty bottle George! You can\u2019t afford to waste good liquor, not on your salary!\u201d<\/span>
\n\u201cThey call me MISTER Tibbs!\u201d<\/span>
\n\u201cWhat we\u2019ve got here is failure to communicate\u201d<\/span>
\n\u201cOpen the pod bay doors, HAL\u201d<\/span>
\n\u201cThink you used enough dynamite there, Butch?\u201d<\/span>
\n\u201cI\u2019m walking here! I\u2019m walking here!\u201d<\/span>
\n\u201cWe\u2019re going to kick the hell out of him all the time and we\u2019re going to go through him like crap through a goose!\u201d<\/span>
\n\u201cThis is Doyle. I\u2019m sittin\u2019 on Frog One\u201d<\/span>
\n\u201cI\u2019m gonna make him an offer he can\u2019t refuse\u201d<\/span>
\n\u201cI love it when guys peel out\u201d<\/span>
\n\u201cWell, to tell ya the truth, I lied a little\u201d<\/span>
\n\u201cHit me, Chief! I got the moves!\u201d<\/span>
\n\u201cAttica! Attica!\u201d<\/span>
\n\u201cI\u2019m as mad as hell and I\u2019m not going to take this anymore!\u201d<\/span>
\n\u201cFollow the money\u201d<\/span>
\n\u201cThe Force is strong with this one!\u201d<\/span>
\n\u201cStanley, ya see this? This is this. This ain\u2019t something else. This is this. From now on, you\u2019re on your own\u201d<\/span>
\n\u201cThe horror. The horror\u201d<\/span>
\n\u201cI am not an animal. I am a human being. I am a man\u201d<\/span>
\n\u201cWanna dance? Or would you rather just suck face?\u201d<\/span>
\n\u201cE.T. phone home,\u201d<\/span>
\n\u201cWho was the best pilot I ever saw? Well, uh, you\u2019re lookin\u2019 at \u2018im\u201d<\/span>
\n\u201cWind in the hair! Lead in the pencil!\u201d<\/span>
\n\u201cDo I ice \u2018er? Do I marry \u2018er?\u201d<\/span>
\n\u201cShut up! Shut up and take the pain! Take the pain!\u201d<\/span>
\n\u201cSnap out of it!\u201d<\/span>
\n\u201cGreed is good“<\/span>
\n\u201cTen minutes to Wapner\u201d<\/span>
\n\u201cIf you build it, he will come\u201d<\/span>
\n\u201cIn case I forget to tell you later, I had a really good time tonight\u201d<\/span>
\n\u201cGood evening, Clarice\u201d<\/span>
\n\u201cYou can\u2019t handle the truth!\u201d<\/span>
\n\u201cThe truth, Helen, is always the right answer\u201d<\/span>
\n\u201cMy Momma always said \u2018Life was like a box of chocolates. You never know what you\u2019re gonna get\u201d<\/span>
\n\u201cShow me the money!\u201d<\/span>
\n\u201cYou had me at hello\u201d<\/span>
\n\u201cI\u2019m the king of the world!\u201d<\/span>
\n\u201cYou make me want to be a better man\u201d<\/span>
\n\u201cOff the record, on the QT, and very Hush-Hush\u201d<\/span>
\n\u201cI am a dead man and buggered to boot\u201d<\/span>
\n\u201cRemember those posters that said \u2018Today is the first day of the rest of your life?\u2019 Well, that\u2019s true of every day except one\u2013the day you die\u201d<\/span>
\n\u201cMy name is Gladiator\u201d<\/span>
\n\u201cFrodo!\u201d<\/span>
\n\u201cGive \u2019em the old razzle dazzle\u201d<\/span>
\n\u201cYou don\u2019t throw a whole life away just \u2019cause it\u2019s banged up a little\u201d<\/span>
\n\u201cDon\u2019t jive me, man\u201d<\/span>
\n\u201cNo, if anyone orders Merlot, I\u2019m leaving\u201d<\/span>
\n\u201cI wish I knew how to quit you\u201d<\/span><\/p>\n

\n

\"Oscar<\/a>\u201cCan\u2019t you see I have you Chump? Get me some sviskey!\u201d from \u201cThe Great Ziegfeld,\u201d 1936<\/span><\/p>\n

\u201cSometimes you\u2019re so beautiful it just gags me\u201d from \u201cYou Can\u2019t Take It with You,\u201d 1938<\/span><\/p>\n

\u201cFrankly, my dear, I don\u2019t give a damn!\u201d from \u201cGone with the Wind,\u201d 1939<\/span><\/p>\n

\u201cI\u2019ll get you, my pretty, and your little dog, too!\u201d from \u201cThe Wizard of Oz,\u201d 1939<\/span><\/p>\n

\u201cI\u2019m asking you to marry me, you little fool\u201d from \u201cRebecca,\u201d 1940<\/span><\/p>\n

\u201cRosebud\u201d from \u201cCitizen Kane,\u201d 1941<\/span><\/p>\n

\u201cHere\u2019s looking at you, kid\u201d from \u201cCasablanca,\u201d 1943<\/span><\/p>\n

\u201cNo, a golf course is nothing but a pool room moved outdoors\u201d from \u201cGoing My Way,\u201d 1944<\/span><\/p>\n

\u201cOne\u2019s too many an\u2019a hundred\u2019s not enough!\u201d from \u201cThe Lost Weekend,\u201d 1945<\/span><\/p>\n

\u201cI\u2019ve seen nothing. I should have stayed at home and found out what was really going on\u201d from \u201cThe Best Years of Our Lives,\u201d 1946<\/span><\/p>\n

\u201cYou don\u2019t want much. You just want the moon. \u2026with parsley!\u201d from \u201cGentleman\u2019s Agreement,\u201d 1947<\/span><\/p>\n

\u201cFrailty, thy name is woman!\u201d from \u201cHamlet,\u201d 1948<\/span><\/p>\n

\u201cYou throw money around like it was money\u201d from \u201cAll the King\u2019s Men,\u201d 1949<\/span><\/p>\n

\u201cAll right, Mr. DeMille, I\u2019m ready for my closeup\u201d from \u201cSunset Blvd.,\u201d 1950<\/span><\/p>\n

\u201cSTELLA!\u201d from \u201cA Streetcar Named Desire,\u201d 1951<\/span><\/p>\n

\u201cWell, what am I? I\u2019m a private no-class dogface. The way most civilians look at that, that\u2019s two steps up from nothin’\u201d from \u201cFrom Here to Eternity,\u201d 1953<\/span><\/p>\n

\u201cI coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am\u201d from \u201cOn the Waterfront,\u201d 1954<\/span><\/p>\n

\u201cAn Englishman never jokes about a wager, sir\u201d from \u201cAround the World in 80 Days,\u201d 1956<\/span><\/p>\n

\u201cAll work and no play make Jack a dull boy\u201d from \u201cThe Bridge on the River Kwai,\u201d 1957<\/span><\/p>\n

\u201cSuch stupidity is without equal in the entire history of human relations\u201d from \u201cGigi,\u201d 1958<\/span><\/p>\n

\u201cYou can break a man\u2019s skull. You can arrest him. You can throw him into a dungeon. But how do you control what\u2019s up here? How do you fight an idea?\u201d from \u201cBen-Hur,\u201d 1959<\/span><\/p>\n

\u201cWhen you\u2019re in love with a married man, you shouldn\u2019t wear mascara\u201d from \u201cThe Apartment,\u201d 1960<\/span><\/p>\n

\u201cCome in, come in! We won\u2019t bite you\u2013till we know you better\u201d from \u201cWest Side Story,\u201d 1961<\/span><\/p>\n

\u201cNo prisoners! No prisoners!\u201d from \u201cLawrence of Arabia,\u201d 1962<\/span><\/p>\n

\u201cIt is widely held that too much wine will dull a man\u2019s desire. Indeed it will, in a dull man\u201d from \u201cTom Jones,\u201d 1963<\/span><\/p>\n

\u201cGentlemen, you can\u2019t fight in here. This is the War Room\u201d from \u201cDr. Strangelove,\u201d 1964<\/span><\/p>\n

\u201cThe Von Trapp children don\u2019t play. They march\u201d from \u201cThe Sound of Music,\u201d 1965<\/span><\/p>\n

\u201cHope that was an empty bottle George! You can\u2019t afford to waste good liquor, not on your salary!\u201d from \u201cWho\u2019s Afraid of Virginia Woolf?\u201d 1966<\/span><\/p>\n

\u201cThey call me MISTER Tibbs!\u201d from \u201cIn the Heat of the Night,\u201d 1967<\/span><\/p>\n

\u201cWhat we\u2019ve got here is failure to communicate\u201d from \u201cCool Hand Luke,\u201d 1967<\/span><\/p>\n

\u201cOpen the pod bay doors, HAL\u201d from \u201c2001: A Space Odyssey,\u201d 1968<\/span><\/p>\n

\u201cThink you used enough dynamite there, Butch?\u201d from \u201cButch Cassidy and the Sundance Kid,\u201d 1969<\/span><\/p>\n

\u201cI\u2019m walking here! I\u2019m walking here!\u201d from \u201cMidnight Cowboy,\u201d 1969<\/span><\/p>\n

\u201cWe\u2019re going to kick the hell out of him all the time and we\u2019re going to go through him like crap through a goose!\u201d from \u201cPatton,\u201d 1970<\/span><\/p>\n

\u201cThis is Doyle. I\u2019m sittin\u2019 on Frog One\u201d from \u201cThe French Connection,\u201d 1971<\/span><\/p>\n

\u201cI\u2019m gonna make him an offer he can\u2019t refuse\u201d from \u201cThe Godfather,\u201d 1972<\/span><\/p>\n

\u201cI love it when guys peel out\u201d from \u201cAmerican Graffiti,\u201d 1973<\/span><\/p>\n

\u201cWell, to tell ya the truth, I lied a little\u201d from \u201cChinatown, 1974<\/span><\/p>\n

\u201cHit me, Chief! I got the moves!\u201d from \u201cOne Flew over the Cuckoo\u2019s Nest,\u201d 1975<\/span><\/p>\n

\u201cAttica! Attica!\u201d from \u201cDog Day Afternoon,\u201d 1975<\/span><\/p>\n

\u201cI\u2019m as mad as hell and I\u2019m not going to take this anymore!\u201d from \u201cNetwork,\u201d 1976<\/span><\/p>\n

\u201cFollow the money\u201d from \u201cAll the President\u2019s Men,\u201d 1976<\/span><\/p>\n

\u201cThe Force is strong with this one!\u201d from \u201cStar Wars,\u201d 1977<\/span><\/p>\n

\u201cStanley, ya see this? This is this. This ain\u2019t something else. This is this. From now on, you\u2019re on your own\u201d from \u201cThe Deer Hunter,\u201d 1978<\/span><\/p>\n

\u201cThe horror. The horror\u201d from \u201cApocalypse Now,\u201d 1979<\/span><\/p>\n

\u201cI am not an animal. I am a human being. I am a man\u201d from \u201cThe Elephant Man,\u201d 1980<\/span><\/p>\n

\u201cWanna dance? Or would you rather just suck face?\u201d from \u201cOn Golden Pond,\u201d 1981<\/span><\/p>\n

\u201cE.T. phone home,\u201d from \u201cE.T. The Extra-Terrestrial,\u201d 1982<\/span><\/p>\n

\u201cWho was the best pilot I ever saw? Well, uh, you\u2019re lookin\u2019 at \u2018im\u201d from \u201cThe Right Stuff,\u201d 1983<\/span><\/p>\n

\u201cWind in the hair! Lead in the pencil!\u201d from \u201cTerms of Endearment,\u201d 1983<\/span><\/p>\n

\u201cDo I ice \u2018er? Do I marry \u2018er?\u201d from \u201cPrizzi\u2019s Honor,\u201d 1985<\/span><\/p>\n

\u201cShut up! Shut up and take the pain! Take the pain!\u201d from \u201cPlatoon,\u201d 1986<\/span><\/p>\n

\u201cSnap out of it!\u201d from \u201cMoonstruck,\u201d 1987<\/span><\/p>\n

\u201cGreed is good\u201d from \u201cWall Street,\u201d 1987<\/span><\/p>\n

\u201cTen minutes to Wapner\u201d from \u201cRain Man,\u201d 1988<\/span><\/p>\n

\u201cIf you build it, he will come\u201d from \u201cField of Dreams,\u201d 1989<\/span><\/p>\n

\u201cIn case I forget to tell you later, I had a really good time tonight\u201d from \u201cPretty Woman,\u201d 1990<\/span><\/p>\n

\u201cGood evening, Clarice\u201d from \u201cThe Silence of the Lambs,\u201d 1991<\/span><\/p>\n

\u201cYou can\u2019t handle the truth!\u201d from \u201cA Few Good Men,\u201d 1992<\/span><\/p>\n

\u201cThe truth, Helen, is always the right answer\u201d from \u201cSchindler\u2019s List,\u201d 1993<\/span><\/p>\n

\u201cMy Momma always said \u2018Life was like a box of chocolates. You never know what you\u2019re gonna get\u201d from \u201cForrest Gump,\u201d 1994<\/span><\/p>\n

\u201cShow me the money!\u201d from \u201cJerry Maguire,\u201d 1996<\/span><\/p>\n

\u201cYou had me at hello\u201d from \u201cJerry Maguire,\u201d 1996<\/span><\/p>\n

\u201cI\u2019m the king of the world!\u201d from \u201cTitanic,\u201d 1997<\/span><\/p>\n

\u201cYou make me want to be a better man\u201d from \u201cAs Good As It Gets,\u201d 1997<\/span><\/p>\n

\u201cOff the record, on the QT, and very Hush-Hush\u201d from \u201cL.A. Confidential,\u201d 1997<\/span><\/p>\n

\u201cI am a dead man and buggered to boot\u201d from \u201cShakespeare in Love,\u201d 1998<\/span><\/p>\n

\u201cRemember those posters that said \u2018Today is the first day of the rest of your life?\u2019 Well, that\u2019s true of every day except one\u2013the day you die\u201d from \u201cAmerican Beauty,\u201d 1999<\/span><\/p>\n

\u201cMy name is Gladiator\u201d from \u201cGladiator,\u201d 2000<\/span><\/p>\n

\u201cFrodo!\u201d from \u201cThe Lord of the Rings: The Fellowship of the Ring,\u201d 2001<\/span><\/p>\n

\u201cGive \u2019em the old razzle dazzle\u201d from \u201cChicago,\u201d 2002<\/span><\/p>\n

\u201cYou don\u2019t throw a whole life away just \u2019cause it\u2019s banged up a little\u201d from \u201cSeabiscuit,\u201d 2003<\/span><\/p>\n

\u201cDon\u2019t jive me, man\u201d from \u201cRay,\u201d 2004<\/span><\/p>\n

\u201cNo, if anyone orders Merlot, I\u2019m leaving\u201d from \u201cSideways,\u201d 2004<\/span><\/p>\n

\u201cI wish I knew how to quit you\u201d from \u201cBrokeback Mountain,\u201d 2005<\/span><\/p>\n

List Courtesy of VARIETY<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"

Konzept und Design des Poster f\u00fcr die Oscar-Gala 2007, demnach der 79th Academy Awards, entwarfen TBWA\\Chiat\\Day in Los Angeles. Neben der sehr wohl bekannten Statue, zieren 75 relevante Filmzitate das Motiv. Aus der bis dahin 78-j\u00e4hrigen Geschichte der Academy, wurde … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,104,3],"tags":[],"class_list":["post-21281","post","type-post","status-publish","format-standard","hentry","category-allgemein","category-editorial","category-rund-ums-kino"],"_links":{"self":[{"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/posts\/21281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/comments?post=21281"}],"version-history":[{"count":9,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/posts\/21281\/revisions"}],"predecessor-version":[{"id":21292,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/posts\/21281\/revisions\/21292"}],"wp:attachment":[{"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/media?parent=21281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/categories?post=21281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.alleyways.de\/abgeschminkt\/wp-json\/wp\/v2\/tags?post=21281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}